@IGmA 1: Bayern, München: 100 Jahre Freistaat. Eine Raumverfälschung (Bavaria, Munich: 100 Years of the Free State. A Falsification of Space.)
In 2018, Bavaria celebrates the centenary of its Free State – it is time to remember the Munich soviet republic and the State´s socialist origins; it is also time to recapitulate the conservative and emancipatory moments of the Free State; furthermore, it is time to take a closer look at the space and architectural production of Bavaria and its capital, Munich. Bayern, München (Bavaria, Munich) examines the urban in the rural and the rural in the urban and unfolds a cultural-historical panorama that makes the ups and downs of the 20th and 21st centuries - the "Age of Extremes" (Eric Hobsbawm) - comprehensible from a white-blue perspective.
Bayern, München is also an exhibition about a new book called Bayern, München published in 2018 by Stephan Trüby, Verena Hartbaum, c/o now and the University of Looking Good (UoLG). At the centre of the exhibition is the project "The Roderich Model. A Success Story" by Alexandra Haßlacher and the University of Looking Good.
The book Bayern, München consists of many smaller books: a series of essays, written by Elena Markus, Martin Murrenhoff and the editors, take a historical arc from 1918 to 2018 and look at the cultural, architectural and urban development in Bavaria over the last hundred years. Free State experts Stephan Dillemuth, Thomas Meinecke, Michaela Melián, Andreas Neumeister, Hito Steyerl and Raimund Thomas provide insights into Bayern, München, which also enrich current discussions on virulent topics such as right-wing populism and separatism. The common denominator of the contributions is implicitly and explicitly the term "falsification of space", which was introduced in 1903 by the later soviet-republic activist Gustav Landauer in his book Schrift Skepsis und Mystik: Versuche im Anschluss an Mauthners Sprachkritik (Skepticism and Mysticism: Attempts following Mauthner's linguistic criticism). Landauer did not think of eternity as an eternally extended time span, but rather as present in every moment of time. The idea of past and future is a "falsification of space", because only through the transmission of the ideas of space is it suggested that we are at a point from which we can look backwards and forwards at the same time.
Against this background, visualizations of all kinds permeate the book, which turn against the dominant distorting narrative of a purely conservative Bavaria. At the same time, the book also contains falsifications of space: The speculative projects by Sarah Bookman, Nick Förster, Alexandra Haßlacher, Josephine Köhler, Tania Leutbecher, Yan Pechatschek and Leila Unland, which were created at the Department of Architecture and Cultural Theory of the Technical University of Munich, the University of Looking Good (UoLG) and at c/o now in Berlin, highlight hitherto unimagined “Dahoamigkeit“ in the age of globalization. In their published form, they owe their existence to a logic of remix, in which projects went from hand to hand and "falsified" themselves throughout the process.
"The Roderich Model. A Success Story"
By Alexandra Haßlacher, University of Looking Good
The former "Reichssiedlung Rudolf Heß", which was built from 1936 to 1938 in Pullach near Munich and used from 1947 by the organization Gehlen and later by the Federal Intelligence Service (BND), is re-consolidated. It will be done so through the prefabricated house type "Modell Roderich", named after the architect of this settlement, Roderich Fick. With the purchase of the houses one also acquires printers in the BND surveillance camera style, with which one can print out the Instagram feed of the developer. Especially on former NS-terrain the following applies: "It is important what comes out at the back".